nickadmin – Lisette Forsyth

Black and white

Black and white unite in flight

Exhibitions

“Intimacy” is the title of Lisette’s latest collection of artworks scheduled for exhibition in the year 2020. The collection consists of both existing works selected for their particularly apt portrayals of intimacy; as well as new works created to express the artist’s understanding of the concept of intimacy. This understanding, both innate and socially constructed, is explored within this collection.

Intimacy manifest itself in an endless variety of intra-personal and interpersonal relationships. Be it the unconditional love a mother has for her child, the companionship between man and his pet, classic romantic love, or the self-love we all hope to both attain and retain. For how can we love others if we know not yet how to love ourselves. Love thyself, and be loved.

Sri Lanka

First intimacy

9 months of intimacy

George proves his love

Face to Face

Marriage and christenings

Confiding

Working intimately

social and personal intimacy

Winds of change

Minor alterations

Lasting intimacy

Minor Alterations 27 x 38 cm unframed Archival document, ink and acrylic // 31 March 2020

I used a house plan as that is where we are confined to stay at present; needing to re-evaluate, make changes, and adapt to the times we are in. It is a letter of application to the local municipality – just as we now, more than ever, find ourselves strictly controlled by the State as to what is essential and what we can or cannot do.
The close confines of our homes forces us to look deeply at our intimate relationships and establish our allies. We are in this together: we all feel vulnerable and the need for comfort and reassurance like small children.

21 Days. 21 Artists. 21 Impacts.
The story of the South African lockdown, told through the virtual artists of the country.

Intimacy 2020

Sri Lanka

First intimacy

9 months of intimacy

George proves his love

Face to Face

Marriage and christenings

Confiding

Working intimately

social and personal intimacy

Winds of change

Minor alterations

Lasting intimacy

About Lisette

Philosophical Underpinnings of Lisette’s Current Artistic Identity

“I paint to fill the need to create. Constantly experimenting with media and subject matter. The compulsion to recycle pushes me towards mixed media. Cape Town and it’s people provide contradictions and contrasts to work from. Every day is an inspiration . The need to revel and reflect life’s beauty drives me to create. To share the delight in the seemingly ordinary.” – Lisette Forsyth

Lisette Forsyth is as passionate and dedicated to living a fulfilling and creative lifestyle as she is to her artistic process. As such, it should come as no surprise that her lived experience of being a women, mother, daughter, lover, artist, worker, model, photographer, graphic designer, surfer, and globe trotter serve largely as the inspiration for her creative outlet. Drawing inspiration on a daily basis through her deeply personal as well as public life she is able to bring to life the nuances of the human experience on her mixed media canvases. Harnessing the world around her in every aspect imaginable, she works primarily on recycled materials such as rusted steal, drift wood, historic newspapers and maps, as well as old books and construction plans, giving a second life to these once discarded and disregarded surfaces. But creativity does not stop there. Once a surface has been carefully selected from the rejected “waste materials” of our society, it may take days, weeks, months or even years for inspiration to strike. Taking lessons from her early education in graphic design and print making, Lisette understands the importance of paying homage to her canvases by marrying the correct surface with the correct subject matter. The result of such patience and imaginative couplings between surface and subject is both visually spectacular and deeply thought provoking. One speaks to the other, enriching the subjective value and meaning to be found in each and every piece by opening up a dialogue between surface and subject, between artist and art, observer and observed. In this way, Lisette aims to create works that speak not only to the intellectual art connoisseur, but to the ordinary man women and child; not only of the spectacular and sensational, but of the ordinary and often overlooked details of the endlessly inspiring world that naturally surrounds us all.

Lisette’s national as well as international recognition and success are a testament to her ruthless dedication and boundless imaginative capacity. Not only has she exhibited across Sothern Africa, but has managed to cross boarders as far reaching as galleries in New York, Portugal and Munich. This should serve as a reflection of her flexibility in culturally determined artistic style and taste. Her work is ever changing and adapting to the social, political and cultural climate of the time, and is perhaps the reason why she is able to not only reach, but touch such a vast audience.

Studio Tonic 2020

Reflections of the self

The Shape of Nature

White-collar, Blue-collar

Mint Green Girl

Contour Lines

Uncategorized

Women of the world

> An exhibition at Manz Art
http://www.manzart.com

Women: the rhythm of the world.
Humankind quickens in their wombs and pines in their absence. They nourish us in our youth and sooth us in our troubles. Families revolve around them and they are the source of sustenance.With a child on their backs, wherever women are is home.

These portraits from North and South Africa, the Mediterranean, Eastern Europe and the Americas, capture the nobility of half of humanity, whether striding through the world, caring for their children or just being wholly themselves.
Ecco mulieribus: behold the women.

320 - NEW YORK

Screenshot 2019-04-24 At 17.10.43

SCAN 283 (Medium)

SCAN 278 (Medium)

Lisette 011

Lisette 009

Lisette 008

Lisette 007

Lisette 006

Lisette 005

Lisette 003

Lisette 001

468 - INTO THE FUTURE

459 - MATRON, NURSE, COOK

453 - GROWING GIRLS

352 - CUBA

351 - CUBA

349 - CUBA

Woman in the world

320 - NEW YORK

Screenshot 2019-04-24 At 17.10.43

SCAN 283 (Medium)

SCAN 278 (Medium)

Lisette 011

Lisette 009

Lisette 008

Lisette 007

Lisette 006

Lisette 005

Lisette 003

Lisette 001

468 - INTO THE FUTURE

459 - MATRON, NURSE, COOK

453 - GROWING GIRLS

352 - CUBA

351 - CUBA

349 - CUBA

exinhibition update

Wind Still Acrylic On Board 64 X 121cm

We Cannot But Obey Oil On Board

$Umoya Uyavuthuza Oil On Board\' 15 X 40cm 2$

Umoya Uyavuthuza Oil On Board\' 15 X 40cm 2

The Start

The Gap Oil On Board,

R4000

R1500

R1000

R500 Each

Parked Acrylic On Board, 20 X 40cm

Paintings - 37 2

Paintings - 11

One Way Acrylic & Pastel On Board, 63,5 X 121cm

Ode To The Future Oil On Board,60 X 70cm

Mate Acrylic On Board, 30 X 120cm

$Lola\'s Room Oil On Board, 30 X 45cm R1000 2$

Lola\'s Room Oil On Board, 30 X 45cm R1000 2

$Ike\'s Decisive Moment Acrylic & Pastel On Board 122 X 81cm 2$

Ike\'s Decisive Moment Acrylic & Pastel On Board 122 X 81cm 2

Green Tea, Oil Oncanvas, 70 X 100 Cm 2003

Going To Town Oil On Board, 65 X78cm

Dorp Straat Oil On Canvas, 80,5 X 60cm

Blou Koppies Oil On Board,60 X 70cm

Alone Oil On Canvas, 50 X 40cm

Central America

SCAN 283 (Medium)

SCAN 282 (Medium)

SCAN 281 (Medium)

SCAN 280 (Medium)

SCAN 279 (Medium)

SCAN 278 (Medium)

SCAN 277 (Medium)

2018

Available Art

Pedestrian // A collaborative artwork; acrylic on original wood. Available at Studio Tonic, Woodstock.

STAY SAFE // ink and acrylic on recycled surface. Framed original available at Manz Art, Franschhoek.

VARIOUS INDIVIDUAL PIECES

Most of the pieces found bellow are available at various galleries within South Africa, many at my Art Studio in Woodstock. As will become apparent, Lisette enjoys using a variety of recycled surfaces as her canvases. Taking inspiration from not only her surroundings but from the surfaces themselves she is able to create works that have a life of their own. The subject speaks to the canvas, and the canvas speaks back- opening up a channel for multidirectional dialogue which extends beyond the artwork itself.

Nuns For Nature // Available at Studio Tonic, Woodstock.

Lisette encourages observers to look closely at the artworks in her collection, imaginatively allowing themselves to solve the puzzles which lie beneath. There are no correct answers, and beyond creating a dialogue within her art she hopes to create a dialogue between her art and its observers. Taking creative liberties will allow her audience to explore the subjective meaning they project onto her work, and may well allow them to reverse the gaze and explore the origin of such projections within themselves.

Rhodesia, where to from here? // Acrylic on historic map; size 90 x 72 cm. Framed semi-original available at Studio Tonic, Woodstock.

1st of May // Acrylic and ink on historic newspaper, The Star 1929. Available at Studio Tonic, Woodstock.

24 Rivers // Acrylic and ink on historic newspaper, The Cape of Good Hope Government Gazette. Available at Studio Tonic.

Sounding in Fathoms // Life Drawing; 66 x 99 cm. Available at Studio Tonic.

Deep Low // Acrylic on historic map; 30 x 43 cm. Available at Studio Tonic.

Interior // Acrylic on historic map; 30 x 43 cm. Available at Studio Tonic.

Bars // Life drawing; 59 x 84 CM. Available at Stateoftheart.

Cotton and Wool // Acrylic on historic Government Gazette; size 42 x 29.5 cm. Available at Manz Art, Franschhoek.

Leap of Faith // Found wooden wheel; 180 x 180 cm. Available at Manz Art, Franschhoek.

Fresh Fish // Acrylic on historic Cape Times; size 50 x 68.5 cm. Available at Studio Tonic, Woodstock.

Just Like New // Acrylic on historic Cape Times; size 50 x 68.5 cm. Available at Studio Tonic, Woodstock.

INTIMACY

Sri Lanka

First intimacy

9 months of intimacy

George proves his love

Face to Face

Marriage and christenings

Confiding

Working intimately

social and personal intimacy

Winds of change

Minor alterations

Lasting intimacy

Intimacy exhibition 2020

CUBA SERIES

Cuba // Acrylic on map of Cuba. Available at Stateoftheart Gallery, Cape Town.

HOOKED

Taking a dramatic turn back to still life amidst an explosion of art created around the human subject can be a challenge for any artist, but Lisette believes that it is important to incorporate diversity into her artistic process if she wishes to keep her artistic expression exciting and current.

NEW YORK COLLECTION

Poetry is as diverse and inspiring as art. During the Romantic period of human creativity and innovation it was Wordsworth who described poetry as “the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.” Following such a definition much the same is true of art, and certainly of the art Lisette creates.

Her Goal is to experience life fully present, to absorb the smells, sights, sounds, feelings and atmosphere around her at all times. This is particularly true of her time spent traveling. As such, most of the art you find in this collection takes inspiration from Lisette’s lived experiences whilst on the go, unable to document in real time the emotions and imaginative ramblings they evoke. Thus, it is in tranquility and upon reflection that such things, such feelings and emotions flood her brain and overflow onto the canvases before her, the result being art of a poetic nature.

Making Mockers Meek // Framed original available at Manz Art, Franschhoek

Superman // Framed original available at Studio Tonic

Summer Bugs // Framed original available at Manz Art, Franschhoek

Spell Poverty // Framed original available at Studio Tonic

Love yOUR mOTHER

The goal of much of Lisette’s later work has been social, political and cultural commentary. The point of this is not to shame and vilify groups of people or the system at large, but rather to productively build society up by drawing attention to largely under-appreciated or misunderstood aspects of our modern world.

The environment has been a passionate focus of Lisette’s during the year 2020, and the piece bellow seeks to illustrate a fundamental aspect of climate change and global warming overlooked by most. This being that our relationship to the environment is a reflection of our relationship with ourselves and others. “love yOUR mOTHER” is the title of this artwork, and draws attention to the highly personal bond that humans in fact have with the natural environment. We are a product of the natural world, just as we are our own mothers whom brought us into this world, and we should thus love, protect and defend this earth as we would our own mothers. We cannot function without the life supporting systems of this planet, and to neglect the planet is to neglect ourselves and others. If you do not love your other you cannot hope to save the environment, for without altruism the motivation to create a better future is lost.

Love your mother

love our mother

love your other.

This powerful piece has risen like a phoenix from the rubble of a society that has forgotten where it came from, and chooses to be willfully ignorant of where it is headed // found wooden surface; size 200 x 120 cm. Available at Studio Tonic, Woodstock.

Paint the streets with the voices of the subjugated and the oppressed. “Be the change you wish to see in the world.” – Mahatma Ghandi

PORTUGAL COLLECTION

For Lisette, traveling is about collecting more than just memories and experience. On her travels she often ventures into small thrift stores and book shops, communicating with locals and interacting within their more ordinary public spaces. This allows her a small window into the nuances of their culturally determined lives, thus enhancing her ability to create art which accurately reflects their unique lived experiences. Not only does this allow Lisette to forge bonds with local citizens which often stretch across time and space beyond her travel adventures, but she is too able to collect beautiful local books, maps and other artefacts which in turn become the canvases on which she represents these people. The collection documented bellow is an example of the fruits of her creative process, both canvas and subject brining unique elements of subjective interpretation to the table.

Nuns for Nature

Most mornings Lisette starts her day by making her way down to the beach for her daily walk and yoga, she uses this time to reconnect with herself and ground down through the earth. The stillness of the morning combined with the rhythmic beating of the ocean waves provide a meditative environment in which to tune into whats happening within and around her. During this solitary time she often experiences great insights and sets important intentions for the day ahead. Sometimes she prays, sometimes she meditates, sometimes she cries, sometimes she laughs. On more than one occasion she has emerged from her meditative state with her intentions set on helping a friend or reducing her carbon footprint, only to open her eyes and be rewarded by Mother Earth. On one such morning after contemplating the state of the environment she opened her eyes to find R200 flailing in the breeze, clinging to the damp morning sand. No more coincidences. That morning she resolved to be warrior for the world, a nun for nature.

The artwork bellow takes its inspiration from her experience of being connected to the earth in a very spiritual way. she speaks to the world and the world speaks back, sending her signs that she is on the right track.

Nuns for Nature // A piece inspired by my experience of universal love and interconnectedness with both the natural world and my fellow humans. Available at Studio Tonic, Woodstock.

TRANSMUTATION COLLECTION

Lisette takes the discarded materials of modern work and transmutes their surfaces into artefacts with a powerful appeal to current artistic sensibilities.

“Scarred wood, rusted steel, battered metal and builder’s planks are all grist to my grinder, saw and paint brush. The story of each piece is transmutation, the outcome, I hope, is enchantment.”

– Lisette Forsyth

His and Her Perpetual Motion // 40 x 240 cm. Available at Studio Tonic, Woodstock.

National Flower // Size 110 x 125.5 cm. Available at Manz Art, Franschhoek.

Hidden Costs // Acrylic on found canvas surface; Size 2m x 1.5m. Available at Studio Tonic, Woodstock.

Pedestrian // Original wooden surface, in collaboration with Mark Matthysen. Available at Studio Tonic, Woodstock.

It’s Better to Burn // Found metal surface; Size 82,5 x 246 cm. Available at Knysna Fine Art.

Flowers in The Hood — Flowers in the Hood // Car bonnet artwork; created with markers, enamel and spray-paint. Available at Manz Art, Franschhoek.

Autumn Lockdown // Size 108 x 132cm; Enamel on found wooden surface.

DSC04152 (1) — New Shoots // found surface, original metal. Available at Studio Tonic, Woodstock.

Over and Above Car Door — Over and Above // Enamel, spray paint and markers on found car door. Available at Studio Tonic, Woodstock.

Out of The Woods // Size 93 x 244 cm. Available at Knysna Fine Art Gallery.

Checkered Past // Original metal; size 123 x 151 cm. Available at Knysna Fine Art.

Thorny Crown // Available at Studio Tonic, Woodstock.

Color me Pretty

Using an old palate and an existing stencil I bring life to what others may see as “waste”.

PRAGUE COLLECTION

Recycling existing materials is the foundation and inspiration for much of the work Lisette does. Bellow is just a small example of the variety of outcomes that can be achieved by up-cycling the discarded and disregarded “waste” material of modern society. Upon close observation it becomes evident how the subject matter speaks to the canvas, and the canvas to its subject. Lisette likes to create a dialogue with her art, allowing the subject matter and canvas not only to communicate with and enrich one another, but also to communicate with the audience, enriching their subjective understanding of what they see before them. This particular collection took its inspiration from Lisette’s travel adventures in Prague, both the canvases and subject matter being locally sourced and mindfully coupled to create thought provoking works of art.